Meet Our Readers

Double agents. Passing. Going undercover. There’s a lot of ways to be not what you seem, and this Wednesday Brooke Allen, Allie Wachowski, Kim Nelson, and Bea Cordelia get into these cases of Mistaken Identity with humor, grace, guts.

Brooke Allen

Brooke Allen is a Chicago playwright and storyteller. Her work has been published on such websites as Story Club Magazine and Role Reboot. She has performed with YBR, Essay Fiesta, Mortified, Paper Machete, Guts and Glory, Write Club and more. She loves pizza and cats.






Allie Wachowski

Allie Wachowski is a writer, local internet sensation, teen heartthrob, and the self proclaimed Mariah Carey of the Midwest. you can find her online, or getting asked to leave your favorite bar.







Kim Nelson

Kim Nelson is a writer, performer, lifelong Chicagoan, karaoke enthusiast, and regular contributor at Drinkers with Writing Problems. This summer, you can read her Game of Thrones recaps at HeauxsChicago. She’s on Twitter and Instagram with the handle @ponytailup, where you can see lots of pictures of her awesome dog.







Bea Cordelia

Bea Cordelia is an award-winning, Chicago-bred, internationally slandered writer, filmmaker, performance artist, actor, producer, educator, & activist whose work uplifts & reimagines the narratives of transgender people. Her “life-changing” solo show Chasing Blue has featured in Steppenwolf Theatre’s LookOut performance series & The Brick’s inaugural Trans Theatre Festival in Brooklyn. In 2016 she developed her first multimedia installation The Cosmic Body in a University of Chicago Performance Lab residency through Salonathon, was made a Luminarts Cultural Foundation Creative Writing Fellow for her poem “The Future,” and made headlines for her lawsuit against the City of Chicago regarding its sexist & transphobic ordinance forbidding the exposure of breasts in establishments with liquor licenses. She is represented by Paonessa Talent Agency, and is currently working on the forthcoming web series The T with co-creator Daniel Kyri & distributor Open TV.


Here’s a recording of our March 2016 show. The theme was Race. Featured readers included Elaine Hegwood Bowen, Monica Guzman, Angel Simmons, and Alba Machado.


Meet Our Readers

It’s an integral part of our daily lives, whether you recognize it or not – and, one could argue, not recognizing the role race plays is most telling of all. We’re trying to recognize. This Wednesday, Alba Machado, Angel Simmons, Elaine Hegwood Bowen, and Monica Guzman take on what it means to be black white yellow brown and everything in-between. There may also be a ukulele involved.

Alba Machado

AlbaAlba Machado is a former Chicago Public School teacher who is currently writing a novel about the harrowing experience as her thesis project for the Creative Writing MFA Program at Columbia College Chicago. Her work has appeared in Curbside Splendor, Knee-Jerk Magazine, Gapers Block, and others; and she is the founding editor of Literary Chicago, an intermittent blog that publishes essays, reviews, interviews, and write-ups of literary events like Miss Spoken.

Elaine Hegwood Bowen

IMG_0046Elaine Hegwood Bowen is a veteran journalist and native South Sider who has covered both Chicago’s urban and suburban areas. Elaine has been writing for the Chicago Crusader since 1994. In her book, Old School Adventures from Englewood–South Side of Chicago, she shares her recollections of what life was like growing up in Englewood, when her parents migrated to Chicago in the early 1950s and purchased a home in 1959.

She grounds her stories in exciting childhood adventures, as well as the cultural and political happenings of the time. Elaine has taught at City Colleges of Chicago and Roosevelt University, where she earned undergraduate and graduate Journalism degrees. Her book, and its universal theme, has been covered in local and national broadcast and print media. Most recently, Elaine participated in the “Let’s Talk About Chicago” panel as part of the African Diaspora International Film Festival at New York’s Columbia University. Elaine also covers local and national film festivals and also pens movie reviews for www.filmmonthly.com. She currently works full time as the Media Relations Specialist for Access Community Health Network.

Monica Guzman

IMG_20150829_210532581After graduating from Northweatern’s English writing program in 2011, Monica Guzman (Gooz-MAHN) hustled as a cosplay wig shipper, dog walker, and Lyft driver while building her own branding and marketing business that is currently, and miraculously, keeping her afloat these days. When she’s not developing her other business ventures, writing dark, personal essays, or playing board games with her friends, she likes to color in the company of her evil cat.


Angel Simmons

unnamedAngel Simmons is a beloved Chicago south-sider, raised in Englewood and divinely spreading light everywhere she goes. She does it all as an author, speaker, runway and print model, mentor, storyteller, columnist for “She Can” Magazine, blogger at “Love’s Great Design”, president and CEO of The Message, Inc., and the current “Ms. Worldwide Illinois Ambassador” for the Live Out Loud Charity.

Angel works with the one of the largest worship arts conferences in the country and has been featured in books, magazines, the Chicago Tribune, in Christian music, and as a guest on both radio and television. Angel has graced some of the city’s finest storytelling stages for “Do Not Submit” (Englewood and Woodlawn), Is This a Thing?, Homewood Stories, Loose Chicks, and coming soon to This Much Is True, Story Club Southside, and The Frunchroom!

Asians On T.V.

I’m two episodes away from finishing “Master of None” and it has been one of the most refreshing television experiences I’ve ever had.

Sure, some of the acting is stiff. But overall, it’s a groundbreaking show.

Anyone who is a minority gets that, especially Asians.

And if you don’t know by now, I Am Asian.

Another show that I watched last season and have DVR’d this season is “Fresh Off The Boat”. It too has made a huge impact on mainstream television. It too is a show that features Asians as its main characters.

I know there’s always going to be criticism when programs like this air (Americans on the Internet are really good at this, ahem). One, because maybe there are actual flaws in acting, writing, directing, etc. In other words, valid arguments or complaints.

Two, there are all of the counterpoint views, some of them legit, that want to pick a part why a show isn’t doing everything it could or isn’t being sensitive enough to the community who needs it.

The latter is what’s been bothering me.

Both “Master of None” and “Fresh Off The Boat” are based on real life people. However loosely that’s interpreted, someone’s subjective story is being shared.

“Subjective” is the key word.

I actually want to start off by mentioning the movie “Better Luck Tomorrow“. For those of you who’ve never heard of it, BLT was a film that featured an all Asian American cast dealing with everyday high school life. It was distributed by MTV, which was huge at the time.

Back then, I was hanging out with people who were really into films, one of whom ran the Chicago Asian American Film Festival, unique for only showing movies that were made with the “American” part in mind. No foreign films, like all other Asian film festivals include.

So I was more dialed in than the average person. I don’t mean that I had great access or knowledge, just that my interest was piqued because of my social life.

Anyway, the director and cast of “Better Luck Tomorrow” were at the Sundance Film Festival doing a Q&A with critics. One of them asked why they would choose to make the main characters behave so amorally when finally given the opportunity to make a movie for the big screen. Roger Ebert stood up and defended them by saying Asian Americans can tell whatever kind of story they want just like anyone else.


(I watched the clip of this exchange at least three times. It’s important when one of the most well respected film critics of all times defends us. And sure, the irony isn’t lost on me that he was a white man.)

I’ve never watched “The Mindy Project”, but Mindy Kaling has caught flak because her character only dates white men. In an interview where she was asked about this, she responded with irritation by asking if it was up to her to be the UN.

A similar argument is being made about “Master of None”. Why is Dev’s girlfriend white? Why are the girls he’s interested in, white? (Save for the one Asian girl who went out with him for the free food and had only a couple of lines.) He devoted an entire episode about how there can only ever be one minority in a show, never two, otherwise that makes it a “minority show”. So, isn’t he being a hypocrite?

My argument is: No, he’s not. First, the cast of his show is made up of many minorities, including his two close friends (played by a black woman and an Asian guy.) Second, Dev is the minority in his relationship. I’m not sure why it’s up to Ansari to make sure the character of Dev dates people of all colors. If the show is based on his life, that would most likely be inaccurate, as his girlfriend in real life is a white girl.

Should Dev date a variety of minorities because we need to show more interracial relationships that don’t include white people? Or is the critic’s complaint that Ansari is doing a disservice to minorities on the casting side?

The reality for him and for many of us is that we were raised in predominantly white areas. White neighborhoods. White Schools. It’s not that we find white people “hotter” or more “desirable”. It’s all we had to choose from sometimes. Even when presented with other options, are we supposed to filter out all of the white people?

I’ve always wondered what my life would have been like if I’d grown up in California, where people who look like me are everywhere.

But I didn’t. And I sincerely doubt Aziz Ansari was around a crapload of Indian Americans in South Carolina. Perhaps if he had grown up in a large, tight knit group of other Indian Americans, the story he would be telling would be a different one.

Even if your argument is that by not showing Dev dating people of all races it implies he’s racist, that’s also not something that needs to be changed or “fixed”. Is the answer to all race relation problems that everyone should date minorities, especially other minorities but not necessarily someone of the same minority?

Shouldn’t we just date who we want? I guess my point is, if some guy came up to me and said “I don’t date Asian girls”, sure, I’d be offended. But very shortly after, I’d think “cool, I wouldn’t want to date you anyway because you sound like an asshole.”

Is it wrong if most of the guys I’ve dated are white? If I get offered a television show based on my life, do I need to change the ethnicity of the people I dated to non-white just to make sure I’m not reinforcing the belief that “white=hot”?

Also, it’s worth noting that we are still minorities. So by the very definition, there are fewer of us. If dating is math (which it kind of is), the less minorities we come into contact with on a daily basis, the less we’ll have as friends and lovers.

This is where I want to go back to the whole idea of “subjective”. This is one story. Not everyone is going to see themselves in any one character or plot line. But plenty of it may be relatable. And that’s the most important part. I’m just happy to see an Indian American guy playing an Indian American guy living, working and dating in New York. NONE OF THOSE THINGS APPLY TO ME. I am not doing anything he’s doing and yet, it’s still monumental. One of my favorite episodes is “Parents”, which features Ansari’s real life parents, and gives back stories to his and his best friend’s immigrant fathers. My parents aren’t immigrants, but this still meant something to me.

I don’t need fourteen shows about Asian Americans on mainstream t.v. But one or two would be great. I don’t need people to question shows like Seinfeld or Girls so long as there are shows featuring minorities in leading roles. Seriously, they can keep those minority sidekick/best friend/ancillary characters.

Which leads me back to “Fresh Off The Boat”. For those of you watch, you know that Eddie Huang, the story for which the show is based off of and whose book inspired it, is no longer a part of it. He took to Twitter to say he didn’t watch the show and it doesn’t look anything like his life.

He points out that an Indian American woman is directing a show about a Chinese American family.

While it’s true that her life experiences were different, there were also presumably a lot of similarities. This is also true of her audience.

In many ways, it’s enough that the Huangs look like me. My parents don’t speak a second language. I have no surviving grandparents. I’ve never lived in Florida. Culturally, Japanese and Chinese people are NOT the same.

But the show is still great and important and needs to be on the air.

We all need to see that we can relate to anyone at any time because we’re all living a life with identical basic issues, day in and day out. Funny is funny. Sad is sad. Beyond that, we need to be able to share our individual struggles, many of which are created because of the color of our skin. If television is the vehicle for understanding our fellow human more, then there needs to be more balanced representation.

I understand Huang’s issue with the direction his show took. That it feels like a lie. That at best, it’s a very watered down version of his life and that that is doing a disservice to the people watching it. But that’s where I disagree. I don’t need to know Huang’s reality to appreciate Asians on t.v. I wish he could separate himself out of the issue, though I realize that’s a lot, and possibly unfair, to ask of him.

I’m glad there’s been critique on these shows. But at the end of the day, if your issue is with the storytelling, we can’t demand changes be made to reflect our individual realities.

The reason “Master of None” and “Fresh Off The Boat” resonate with me is simply seeing an Asian doing, saying, thinking and feeling things I can relate to and knowing that all audiences might realize we have more in common than they think.